The Temptations of Saint Antony (1947) ~ Diego Rivera
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An extraordinary artist, a political militant and an eccentric spirit of his age, Diego Rivera (1886-1957) played a prime role in an outstanding period in Mexican history, which made him a controversial figure outside his own country and the best-known artist of Latin America. A painter, draughtsman, graphic artist, sculptor, book-illustrator, costume- and stage-designer and architect, Rivera was also one of the first private collectors of pre-Columbian Mexican art.
Linked to names like those of Pablo Picasso, Andre Breton, Leon Trotsky, Edward Weston, Tina Modotti and Frida Kahlo, he was the object of love and hatred, admiration and disgust, legend and abuse. The myths that surrounded him, even in his own lifetime, arose not only from his work but also from his active participation in the life of his time, his friendships and conflicts with leading figures, his imposing physical appearance and his rebellious nature.
Linked to names like those of Pablo Picasso, Andre Breton, Leon Trotsky, Edward Weston, Tina Modotti and Frida Kahlo, he was the object of love and hatred, admiration and disgust, legend and abuse. The myths that surrounded him, even in his own lifetime, arose not only from his work but also from his active participation in the life of his time, his friendships and conflicts with leading figures, his imposing physical appearance and his rebellious nature.
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